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Mystic Seaport Names Nicholas R. Bell Senior Vice President for Curatorial Affairs

 

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Nicholas R. Bell

Mystic, Conn. (April 7, 2016) – Mystic Seaport announced today that Nicholas R. Bell has been named Senior Vice President for Curatorial Affairs, a new position at the Museum that will be responsible for the care, management, strategic development, and exhibition of the Museum’s collections. Bell will assume the position June 1, 2016.

Bell is presently The Fleur and Charles Bresler Curator-in-Charge at the Smithsonian American Art Museum’s Renwick Gallery in Washington, DC, where he led the Gallery’s recent relaunch following a $30 million, two-year renovation. The reopening exhibition, entitled “WONDER,” explores the museum’s value to American culture and identity by presenting nine gallery spaces to site-specific installations by leading contemporary artists. The innovative project brought success and tremendous acclaim to the Renwick—museum attendance has increased 1,000 percent since its reopening.

“We are very proud to have a curator of Nicholas’s caliber join Mystic Seaport. We believe his deep knowledge of material culture, understanding of the public audience, and demonstrated leadership and creativity will take our collections and exhibitions program to a new level,” said Steve White, president of Mystic Seaport. “The combination of the Thompson Exhibition Building opening this fall and this new leadership position truly signify that Mystic Seaport is moving into a new era of exhibitions.”

During his eight years at the Renwick, Bell curated six major exhibitions. The diverse projects included the thematic “WONDER;” a highly praised generational survey “40 under 40: Craft Futures,” organized to celebrate the Renwick’s 40th anniversary; the monographic “Untitled: The Art of James Castle;” and the presentation of groundbreaking research in “A Measure of the Earth: The Cole-Ware Collection of American Baskets.”

Bell’s vision expanded the Renwick’s focus from a narrow definition of craft to include a broad array of creative practices illustrating skilled making as a multifaceted approach to living in the modern world.  He reinvigorated the museum’s permanent collection through targeted purchases and gifts, including the gift of a landmark Dale Chihuly chandelier, the acquisition of the largest public collection of American revival baskets, and the second largest public collection of works by seminal self-taught artist James Castle.

Along with his curatorial accomplishments, Bell worked with the Smithsonian American Art Museum’s development team to raise funds to endow two curatorships and support the Renwick’s renovation. He also was part of a select group of Smithsonian experts who participated in TED talk-style presentations across the U.S. for the Smithsonian’s $1.5 billion capital campaign.

Bell has published seven books in the last five years, including six peer-reviewed exhibition catalogues and one edited anthology. He additionally positioned the Renwick as a center for scholarship with two international symposia in the past three years that have featured nearly 40 speakers.

”No matter how far we live from it, as Americans, the sea is bred in our bones. I believe the inclusiveness with which Mystic Seaport defines this relationship is the Museum’s greatest asset to building new connections with the public it serves,” said Bell. “Expanding on these connections is a thrilling opportunity, and I could not ask for a stronger team with which to embark on this adventure than the one already in place at the Museum.”

Bell earned a bachelor’s degree from Simon Fraser University in Vancouver, British Columbia, and a master’s degree from the Winterthur Program in American Material Culture at the University of Delaware. Bell, his wife, Allison, and their three children will be relocating to Mystic, Conn. this spring.

Submitted by Dan McFadden, Mystic Seaport, April 7, 2016

National Fisherman Collection Now Available Online

National Fisherman site

The first 5000 images in the National Fisherman Collection are now live. Ben Fuller is in the process of adding dates and locations to this group as well as reviewing the subject headings and search terms. Please contact him via bfuller@pmm-maine.org with any suggestions or corrections. He expects to have the next 5000 up early in the summer.

Submitted by Ben Fuller, Curator, Penobscot Marine Museum, April 5, 2016

Public Notice for the Ferryboat Binghamton

As outlined in this Public Notice, NOEL LOVE GROSS, TRUSTEE OF TRUST B UNDER ARTICLE IIIB OF THE LAST WILL AND TESTAMENT OF NELSON G. GROSS is seeking interested qualified parties to enter into an agreement to remove the ferryboat Binghamton from its current site, in Edgewater, New Jersey, for the purpose of preservation and restoration. The Public Notice period will expire after 90 days, on June 29th, 2016. In the event that no qualified parties come forward within the 90 period to enter into an agreement to remove the entire vessel, components of the vessel will be offered to historical organizations and museums for curation.

The ferryboat Binghamton, a National Register structure, was constructed from 1904-1905. This vessel was one of six steam-powered screw-propeller, double-ended ferryboats built by the Newport News Shipbuilding and Dry Dock for the Hoboken Ferryboat Company. After her 62 years of service on the Hudson River between Hoboken and Manhattan, the ferryboat was sold and turned into a popular floating restaurant known as Binghamton’s in 1975. Unfortunately, the ferryboat is in poor condition due to damage sustained during Superstorm Sandy in October of 2012. The State of New Jersey has ordered the vessel’s removal for safety concerns.

Submitted by Teresa Bulger, Richard Grubb & Associates, April 1, 2016

 

Peter Stanford Remembered for Many Maritime Heritage Legacies

Peter Stanford, one of the 1972 founding members of the Council of American Maritime Museums, died today. The National Maritime Historical Society has posted a tribute to their late President Emeritus on their website.

Stanford was the founding president of South Street Seaport Museum, New York, and was instrumental in saving numerous historic ships, including the Lightship Ambrose; Brigantine Black Pearl; Barques Elissa, Moshulu, and Peking; Schooners Ernestina, ex-Effie Morrisey and Lettie Howard, Liberty Ship John W. Brown, steam tug Mathilda, and Wavertree.

In addition to CAMM, Peter Stanford was involved with the evolution of the American Society of Marine Artists (1977), the American Ship Trust (1978), the Hudson River Maritime Museum (1979), and the National Maritime Alliance (1987).  He also co-founded and supervised both OpSail 1976 for the nation’s bicentennial and the Statue of Liberty Parade of Sail in 1986.

A remarkable leader in the early days of ship preservation, Peter Stanford played a crucial role in bringing maritime heritage to the attention of the nation’s cultural resource community.

Submitted by Candace Clifford, using information from the National Maritime Historical Society posting, March 24, 2016

CAMM Conference Preliminary Program Now Available

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Photo courtesy Kalmar Nyckel Foundation, this year’s conference host.

This year’s CAMM conference, April 25-27, in Wilmington, Delaware, will be a great opportunity to interact with fellow maritime heritage professionals.  The conference website has been updated with the preliminary program. The registration deadline, April 12, 2016, is less than a month away so make your plans to join us in Wilmington!

U.S. Life-Saving Service Heritage Association’s Annual Meeting

Photo courtesy of Belle of Louisville.
Photo courtesy of Belle of Louisville.

The U.S. Life-Saving Service Heritage Association will hold its annual meeting aboard the former Life-Saving Station Number 10, now docked by the Belle of Louisville, October 6-8, 2016, in Louisville, Kentucky. The Life-Saving Service, and later the U.S. Coast Guard, had 3 floating vessels serving this station from 1881 to 1972.

For more information visit the USLSSHA website.

Call for Book Proposals – “America and the Sea” Series

The University Press of New England and the Williams College-Mystic Seaport Maritime Studies Program seek book proposals for our “America and the Sea” series. We are looking for works in three categories:

  1. Suggestions for timely reissues of forgotten, out of print American works of literary and cultural distinction, with new introductions that frame and engage the work for a modern audience.
  1. Proposals for anthologies and/or selected editions of writers’ work.
  1. Proposals for books of original scholarship or of general interest, according to the series mission statement below.

We have particular interest in underrepresented voices and “blue” environmental studies. Although the submissions deadline will remain running, first considerations begin on March 18, 2016. View this link for the full description and initial submission directions.

Submitted by Dana Hewson, Mystic Seaport

 

 

 

News from AIC Collection Care Network

First, there is a full program in Montreal that is of particular interest to our collection care partners during the joint annual meeting of both the American Institute for Conservation of Historic and Artistic Works (AIC) and the Canadian Association for Conservation (Association Canadienne pour la Conservation et la Restauration) (CAC-ACCR). The meeting is planned for May 13 – 17, 2016. To see the slate of offerings, please visit: http://www.conservation-us.org/annual-meeting/allied-professionals-track

Second, the Journal of American Institute for Conservation (JAIC) is seeking submissions for a “Collection Care” special issue. Papers are welcome across the full spectrum of collection care activities, from communication and advocacy to technical specifications. This Journal volume seeks to represent the diverse acts of preventive conservation and the work of all of those who facilitate preservation and access. The responsibility for collection care is not limited to conservators but rather is a collaborative process among allied professionals such as facility managers, curators, registrars, preparators, collection managers, security staff, archivists, exhibit designers, architects, and maintenance staff (among others), who work together to mitigate or manage collection risks. Authors are invited to submit an abstract and article outline for consideration by the special issue editors with final article submissions due April 1, 2016. Please send inquiries and submissions to Mary Coughlin at coughlin@gwu.edu.

Submitted by Gretchen Guidess, AIC Collection Care Network

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