Analisa here from the Stockton Maritime Museum. After 15 years of restoring the USS Lucid (MSO-458) on the Delta, and we’re now preparing to nominate her to the National Register. We are asking the community for any documentation/artifact that may speak to the Lucid’s historical significance. A Higgins Industries ship laid down in the New Orleans shipyard on March 16, 1953, launched November 14, 1953, and commissioned May 4, 1955, we are on the hunt for pictures of her build, shipyard newsletter/magazine articles featuring her and/or minesweepers built at the time, and anything that might not as easily turn up in a digital database search. Many thanks! Contact: Analisa Freitas, analisa@stocktonmaritimemuseum.org

This week, the Senate may begin consideration of an appropriations bill that contains funding for the Institute of Museum and Library Services (IMLS) for fiscal year 2026.

The draft Senate bill proposes a small decrease for IMLS despite President Trump’s budget proposal to eliminate the agency. Thanks to its past advocacy efforts, the museum community has been able to keep IMLS open despite previous attempts to shutter the agency.

We encourage you to contact your members of Congress and urge them to keep IMLS Office of Museum Services funding levels in the bill and to include additional safeguards to prevent the White House from cutting appropriated funds. Our colleagues at the American Alliance of Museums have a form that is easy to fill out to reach your representatives.

Contact Congress
Update on IMLS Lawsuit
In April, attorneys general from 21 states filed a lawsuit, Rhode Island v. Trump, to defend IMLS and prevent the Trump administration from cancelling grants awarded by the agency.

In May, the judge in the case issued a preliminary injunction requiring the White House to undo the steps it had taken to dismantle IMLS and prohibited further action against the agency.

AASLH joined a coalition of museum, library, and cultural organizations in filing an amicus brief as the case proceeded to the federal appellate level. We encourage you to read it.

Oral arguments have been scheduled for Thursday, December 4, in Boston.

The Santa Barbara Maritime Museum is looking to hire a collections & curatorial associate. Full details here.

Some exciting news from the Wisconsin Shipwreck Coast National Marine Sanctuary: an announcement to hire an education specialist.

This will be a contract position through the National Marine Sanctuary Foundation, with the successful candidate located in Sheboygan. The application can be found at the following link:

The next CAMM annual conference will take place at Mystic Seaport Museum in Mystic, Connecticut, April 22–24, 2026.

Conference theme: Resilience and Relevance

How do we as maritime museums adapt and endure in a changing world? All institutions and programs encounter challenges, so what strategies do we look to when facing shifting financial or funding realities, new community priorities, or natural or human-caused calamities? In trying times, how do we reinvent ourselves while remaining true to our core values and missions?

The CAMM program committee invites presentation proposals that address institutional and programmatic resilience and relevance within one or more of the following maritime-museum areas of action: 

Exhibitions and interpretation

Education and outreach

Preservation

Collections

Watercraft and watercraft/waterfront programing

Administration and development

When submitting a proposal for this year’s conference, please be certain to explain how your topic fits into the overall conference theme.

All proposals are due by 8pm EST on Monday, December 1, 2025.

For full details go toThe next CAMM annual conference will take place at Mystic Seaport Museum in Mystic, Connecticut, April 22–24, 2026.

Conference theme: Resilience and Relevance

How do we as maritime museums adapt and endure in a changing world? All institutions and programs encounter challenges, so what strategies do we look to when facing shifting financial or funding realities, new community priorities, or natural or human-caused calamities? In trying times, how do we reinvent ourselves while remaining true to our core values and missions?

The CAMM program committee invites presentation proposals that address institutional and programmatic resilience and relevance within one or more of the following maritime-museum areas of action: 

Exhibitions and interpretation

Education and outreach

Preservation

Collections

Watercraft and watercraft/waterfront programing

Administration and development

When submitting a proposal for this year’s conference, please be certain to explain how your topic fits into the overall conference theme.

All proposals are due by 8pm EST on Monday, December 1, 2025.

For full details go to https://councilofamericanmaritimemuseums.org/annual-conference/. Email any questions to the CAMM administrator at maritimemuseums@gmail.com. The CAMM program committee will evaluate each proposal, and you will be notified by Friday, December 19, if your presentation is accepted. All presenters will be required to register for the conference.

Please note:

Single presentations may be limited to 30 minutes, including a question-and-answer segment.. Email any questions to the CAMM administrator at maritimemuseums@gmail.com. The CAMM program committee will evaluate each proposal, and you will be notified by Friday, December 19, if your presentation is accepted. All presenters will be required to register for the conference.

To welcome new voices and new ideas, the CAMM program committee may give preference to speakers who have not presented at a CAMM conference within the last two years.

The program committee reserves the right to unite single presentations into loose panels as required.

Please note:

• To welcome new voices and new ideas, the CAMM program committee may give preference to speakers who have not presented at a CAMM conference within the last two years.
• The program committee reserves the right to unite single presentations into loose panels as required.
• Single presentations may be limited to 30 minutes, including a question-and-answer segment.

NASOH invites museum professionals to present at its conference in New Haven, May 27-29, 2026.

https://councilofamericanmaritimemuseums.org/wp-content/uploads/2025/09/2026-NASOH-CFP.pdf

Full information here.

Time is running out! Take advantage of early registration rates for the Maritime Heritage Conference/HNSA Annual Symposium in Buffalo, NY, before they expire on 1 August. Join us on 24–27 September for a gathering of naval and maritime scholars and people from the world of maritime museums, historic lighthouses, tall ships for sail training and youth, small craft, marine art, sailing, advocacy, and more! For more details—including the newly released list of panels and papers—go to https://seahistory.org/maritime-heritage-conference/#mhc . You won’t want to miss this chance to network, learn from peer organizations, and share your own hard-won lessons from the field. We look forward to seeing you there! #MHC2025

New York Yacht Club

CURATOR OF COLLECTIONS

New York, NY

Application Deadline: July 8, 2025

The New York Yacht Club (NYYC), one of the world’s most prestigious private clubs, seeks a full-time Curator of Collections to steward, interpret, and promote its distinguished collection of ship models, silver trophies, maritime art, and historic furnishings. Based at the Club’s landmark clubhouse in midtown Manhattan—with additional responsibilities for the Club’s seasonal site in Newport, Rhode Island—the Curator is the sole collections professional on staff and plays a central role in preserving and presenting NYYC’s rich yachting heritage.

The Club’s collection is renowned for its craftsmanship, historical significance, and ties to some of the most prominent individuals in American sailing history. The new Curator will lead exhibition development, manage conservation priorities, oversee collections care, recommend acquisitions, create exhibitions, publish articles, and work closely with the Fine Arts and Models Committees. This is a rare opportunity for a seasoned curatorial professional to work in a hospitality-focused, member-driven setting that values professionalism, excellence, and respect for all staff.

New York Yacht Club

Founded in 1844, the NYYC has played a leading role in American sailing and yachting culture for more than 180 years. The Club is internationally renowned for its leadership in the sport, its contributions to maritime history—including its long stewardship of the America’s Cup—and its deep sense of tradition. Today, it maintains two distinguished facilities: a year-round clubhouse in Manhattan and a seasonal clubhouse in Newport, Rhode Island. While the NYYC is a private membership organization—not a nonprofit museum—it upholds professional standards in collection stewardship, exhibition planning, and historic preservation.

The Club has approximately 3,400 members and more than 150 employees across both sites. The Curator of Collections is part of the senior staff and collaborates with the member-led Fine Arts and Models Committees, which provide oversight and guidance on collections-related matters. The Curator reports administratively to the General Managers and for collection decisions, to the two Committees. The Curator collaborates regularly with the Librarian/Archivist and with department heads who manage facilities, events, building renovations, food and beverage, finance, and membership. The senior staff also includes professionals overseeing sailing operations, communications, and member services, reflecting the diverse and high-functioning ecosystem that supports Club operations year-round.

The New York Clubhouse (44th Street, Manhattan)

The Club’s primary home is a Beaux-Arts landmark building on West 44th Street in midtown Manhattan, designed by Warren & Wetmore and completed in 1901. The clubhouse was financed in part by Club member J.P. Morgan, who played a pivotal role in shaping the grandeur and permanence of the institution’s New York home. The interior spaces, including the famous Model Room, Library, bar, restaurant, reading rooms, and guest bedrooms are richly appointed and used extensively by members year-round. The NYC clubhouse is the site of the Club’s annual theme exhibition, created by the Curator, installed each January, and on view for several months. It also hosts hundreds of events, dinners, and gatherings each year, requiring close coordination between curatorial priorities and hospitality needs.

The Newport Clubhouse (Harbour Court, Rhode Island)

Located in Harbour Court, a historic mansion overlooking Newport Harbor, the NYYC’s seasonal clubhouse serves as the epicenter of Club sailing activity from May through October. Designed by the noted architectural firm Cram, Goodhue & Ferguson, the mansion was completed in1906 and was the longtime summer home of John Nicholas Brown II, a NYYC Commodore. The estate remained in the Brown family until it was acquired by the Club in 1987. The Newport clubhouse offers additional curatorial opportunities, with multiple rooms housing portraits, models, silver, and ephemera. While used less intensively than the Manhattan site, the Newport facility plays a key role in the Club’s summer programs, regattas, and social events. The Curator is expected to visit periodically to ensure the collection’s care, plan future displays, and strengthen interpretive cohesion between the two sites. There is growing interest among members and committees to elevate the visibility and interpretation of the Newport collection in ways that align with the Club’s high aesthetic and preservation standards.

The Collection

The NYYC collection is a treasury of maritime material culture, presented not in traditional gallery settings but integrated into the active fabric of two landmark clubhouses. The holdings include approximately 150 historic silver trophies—many produced by Tiffany & Co. and Whiting—recognized for their exquisite craftsmanship, importance in American decorative arts, and yachting history. The Club also houses more than 150 full ship models and an estimated 1,200 half-hull models, mounted chronologically along the walls of the iconic Model Room and other spaces. The painting collection includes Commodore portraits, historic ship portraits, and maritime watercolors by leading 19th- and 20th-century artists such as James E. Buttersworth and Antonio Jacobsen. Club furnishings, many of which are original to the building, remain in daily use and are considered part of the collection, requiring careful stewardship and preservation strategies guided by the Curator. Additional highlights include historic artifacts such as tillers, burgees, and memorabilia from America’s Cup campaigns.

Opportunities and Challenges

This is a rare opportunity for a curatorial professional to shape the stewardship and interpretation of one of the most distinctive private club collections in the country. Working in a member-driven environment, the Curator will balance long-term preservation and exhibition goals with the daily rhythm of an active membership organization.  

Opportunities

• Design a refresh of the fourth-floor silver display, working closely with contractors, designers, and committee stakeholders to bring it to the standard of the elevator-lobby silver gallery created in 2023.
• Create a reinstallation in the stairwell gallery, to feature portraits of NYYC Commodores, shaping the interpretive plan and visual impact.
• Develop new curatorial presentations and interpretation strategies for underutilized spaces at the Newport clubhouse.
• Write research-based scholarly articles for the Club’s member publications.
• Recommend model rotations and capital upgrades to displays at both clubhouses, contributing curatorial input to enhance object visibility and preservation.
• Work in midtown Manhattan for a world-recognized institution with a $34-million annual budget, in a remarkable historic building.
• Be part of a respectful and professional culture that values its employees like family, as exemplified by their retaining all the staff with no layoffs during the Covid pandemic.

Potential Challenges

• The Curator serves as the sole collections professional and must independently manage a large, high-profile collection without internal collections staff support or staff mentors.
• The Club’s governance structure includes rotating volunteer leadership and multiple advisory committees, requiring tactful relationship management and the ability to build relationships and awareness of preservation standards across changing stakeholders.
• The lack of centralized, climate-controlled storage demands creative strategies for preventive conservation and object tracking, particularly as most collection items remain on display.
• Club events, frequent space usage, and the dual role of many artifacts as both historic and functional objects can place demands on exhibition planning and collections care, requiring adaptability and collaboration with hospitality and facilities teams.

Responsibilities, and Expectations

The Curator of Collections serves as the Club’s primary steward of its extensive holdings, overseeing preservation, interpretation, and display in both the Manhattan and Newport clubhouses. The role encompasses exhibition development, conservation planning, collections care, publishing, and public engagement. The Curator will work closely with volunteer committees, internal departments, and external vendors to maintain the highest standards of collections management while adapting to the unique demands of a private, member-centered environment.

• Steward and interpret the Club’s permanent collection in both New York and Newport.
• Plan, curate, and install the annual winter exhibition at the New York clubhouse.
• Work closely with the Fine Arts Committee and the Models Committee, which approve key collection decisions.
• Conduct tours and member programs; respond to internal and public inquiries.
• Oversee conservation and preservation efforts, including contract supervision for conservation, lighting, display casework, and framing, as well as leading an occasional commission to a living artist to create a new trophy.
• Recommend acquisitions (within defined budget and authority levels) and coordinate deaccessions with approval from the appropriate committees.
• Collaborate with the Librarian/Archivist on research and with facilities staff on space use, storage upgrades, and capital projects.
• Travel at least a few times a year to Newport to oversee seasonal collections care and installations.
• Contribute articles for internal publications and member communications.
• Advocate for the collection’s care and visibility with committees and Club leadership.

Experience, Skills, and Attributes

The successful candidate will bring a blend of academic training, professional experience, and interpersonal effectiveness suited to a complex, high-visibility environment. Beyond technical collections-management knowledge, the role requires sound judgment, discretion, and the ability to communicate effectively with a wide range of stakeholders—from fellow staff and outside vendors to Club members and committee leadership. The Curator must be a self-starter who is proactive, adaptable, and comfortable managing priorities independently, while also collaborating across departments in a fast-paced, event-oriented setting.

• Graduate degree in 19th-20th century decorative arts or art history, or in museum studies or a related field preferred.
• Minimum of five years’ curatorial or collections-management experience, preferably in a museum or historic setting.
• Knowledge of, interest in, or willingness to learn maritime history. Knowledge of an aspect of the collection such as painting, works on paper, photographs, or 19th-century American furniture or silver.
• Organizational and project management skills. The ability to set and manage priorities independently is essential.
• Demonstrated ability to work diplomatically with high-level volunteers, donors, and stakeholders. Comfortable with collaborators ranging from yacht owners to bartenders.
• Excellent written and verbal communication skills; experience giving tours or public presentations.
• Comfort working in a private club in a member/customer-oriented environment.
• Must be based in or willing to relocate to the New York City area. Five-day on-site workweek required, but with flexible hours and accommodation for family needs. Occasional travel to Newport, RI, required.

We recognize that it is highly unlikely that someone meets 100% of the qualifications for a role. If much of this job description describes you, then please apply for this position.

Compensation

The salary range is $90,000 – $120,000 commensurate with experience, plus a potential bonus and a very attractive benefits package.

How to Apply

To apply in confidence, submit application by July 8, 2025, to: Dan Yaeger, Senior Search Consultant, Museum Search & Reference, via SearchandRef@museum-search.com.

Please include:

1)     A cover letter expressing interest in the position and giving brief examples of past related experience.

2)     A résumé.

3)     The names and contact information for three professional references able to evaluate the candidate’s leadership and work, indicating their relationship with the candidate.

Applicants are encouraged to apply early as candidates will be considered on a rolling basis. Nominations are welcome. All applications and nominations are kept confidential; we will not contact references without your permission. For more details, visit: www.museum-search.com/open-searches.

Maritime Heritage Conference Program Chair David Winkler is open to fielding a couple more proposals (papers, panels, and session ideas) from CAMM members.

Please send paper, panel, or session proposals to Program Chair David Winkler at: MHC@seahistory.org

Or

If you have questions about possible topics or proposals, fell free to contact me directly.

For example, a session with several papers on the resilience of maritime museums in the face of changing climate, economic forces, or trends in visitor interest and dynamics would be fantastic. 

Or

Since our overarching theme is Maritime Communities Celebrating Milestones – are there milestones individual maritime museums are reaching?  What lessons have organizations learned from taking a retrospective look at their role in their communities?

While we are still several months out from the September 24-27 conference, with such a large event we want to lock in the schedule soon.  Please reach out with your proposals in the next week or so to ensure we can consider it for the program.